Filipa lowndes vicente a a rte sem his

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    Elaine Hedges e Ingrid Wendt, ed. e introd., In Her Own Image: Women 
working in the arts
 (Nova Iorque: The Feminist Press, 1980); Germaine Greer, The 
Obstacle Race. The fortunes of women painters and their work
 (Londres: Picador, 
1981); 1.ª ed., 1979; Elsa Honig Fine, Women and Art: A history of women painters 
and sculptors from the Renaissance to the 20th century
 (Montclair, N.J.; Londres: 
Allanheld & Schram; Prior, 1978); Donna G. Bachmann e Sherry Piland, Women 
Artists: An historical, contemporary, and feminist bibliography
 (Metuchen, N.J.: 
Scarecrow Press, 1978); Karen Petersen e J.J. Wilson, Women Artists. Recognition 
and reappraisal from the Early Middle Ages to the twentieth century
 (Londres: The 
Women’s Press, 1978); Hugo Munsterberg, A History of Women Artists (Nova 
Iorque: C.N. Potter, 1975); Eleanor Tufts, Our Hidden Heritage. Five centuries 
of women artists
 (Nova Iorque e Londres: Paddington Press, 1974); Women. A 
historical survey of works by women artists presented by the North Carolina Museum 
of Art and the Salem Fine Arts Center as part of the 200th anniversary celebration of 
Salem College and Academy
 (Winston Salem, C.N.: Raleigh, N.C., 1972). 
    Helena Reckitt e Peggy Phelan, eds., Art and Feminism (Londres: Phaidon 
Press, 2001); Lucy R. Lippard, The Pink Glass Swan. Selected feminist essays on 
feminist art 
(Nova Iorque: The New Press, 1995); Norma Broude e Mary D. 
Garrard, eds., The Power of Feminist Art. The American movement of the 1970s, 
history and impact
 (Nova Iorque: Harry N. Abrams, 1994); Rozsika Parker e 
Griselda Pollock, eds., Framing Feminism. Art and the Women’s Movement 1970-
 (Londres: Pandora, 1987); Mira Schor, Wet. On painting, feminism, and art 
 (Durham e Londres: Duke University Press, 1997); Mira Schor, A Decade 
of Negative Thinking. Essays on art, politics, and daily life
 (Durham e Londres: 
Duke University Press, 2009); Patricia Mayayo, Historias de Mujeres, Historias del 

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