Filipa lowndes vicente a a rte sem his
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Pollock, Griselda, “Editor’s Preface. New Encounters. Arts, cultures, concepts”, Griselda Pollock, ed., Conceptual Odysseys. Passages to cultural analysis. Com uma introd. de Mieke Bal (Londres: I.B. Tauris, 2007), pp. XIII-XVII. Pollock, Griselda, “A política da teoria: ge- rações e geografias na teoria feminista e na his- tória das histórias da arte”, ed. de Ana Gabriela Macedo, Género, Identidade e Desejo. Antologia crítica do feminismo contemporâneo (Lisboa: Edições Cotovia, 2002), pp. 191-220. Pollock, Griselda, Differencing the Canon: Feminist desire and the writing of art’s histories (Londres e Nova Iorque: Routledge, 1999). Pollock, Griselda, ed., Generations and Ge- ographies in the Visual Arts. Feminist readings (Londres e Nova Iorque: Routledge, 1996). Pollock, Griselda, “Degas/Images/Women: Women/Degas/Images: What difference does feminism make to art history?”, ed. de Richard Kendall e Griselda Pollock, Dealing with Degas. Representations of women and the politics of vision (Londres: Pandora, 1992). Pollock, Griselda, Vision and Difference. Femininity, feminism and the histories of art (Londres e Nova Iorque: Routledge, 1988). Pollock, Griselda; Anderson, Victoria, ed., Bluebeard’s Legacy. Death and secrets from Bartók to Hitchcock (Londres: I.B. Tauris, 2009). Pollock, Griselda; Sauron, Victoria Turvey, ed., The Sacred and the Feminine: Im agination and sexual difference (Londres: I.B.Tauris, 2007). Pomeroy, Jordana, “Italian Women Artists from Renaissance to Baroque”, Italian Women Artists from Renaissance to Baroque (Washington, Baixar 5.05 Mb. Compartilhe com seus amigos:
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