Carlo Belloli, «girasoli» (1948)



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Bibliographische Annäherung

  • Adler, Jeremy / Ernst , Ulrich (3 1990): Text als Figur : visuelle Poesie von der Antike bis zur Moderne [Ausstellung im Zeughaus der Herzog-August-Bibliothek vom 1. September 1987 - 17. April 1988]. Weinheim : VCH-Verlagsgesellschaft, Acta Humaniora.
  • Albera, François (2005): L‘Avant-garde au cinéma. Paris: Arman Colin.
  • Blistène, Bernard / Legrand, Véronique (org.) (1993): Poésure et peintrie. . Exposition Centre de la Vieille Charité. 12 février 1993 / 23 mai 1993. Marseille: Musées de Marseille / Réunion des Musées Nationaux,
  • Bohn, Willard (1986) : The Aesthetics of Visual Poetry. 1914-1928. Chicago and London: The University of Chicago Press.
  • ___________ (2013): The Avant-garde Imperative. The Visionary Quest for a New Language. Amherst, N.Y. : Cambria Press.
  • Dencker, Klaus Peter (2010): Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart. Berlin: De Gruyter.
  • Drucker, Johanna (1996) : The Visible Word. Experimental Typography and Modern Art, 1909-1923. Chicago and London: The University of Chicago Press.
  • Hedges, Inez 1983): Languages in Revolt. Dada and Surrealist Literature and Film. Durham N.C. : Duke Univ. Press.
  • Lista, Giovanni (2005): Dada libertin & libertaire. Paris: L’Insolite.
  • Mitry, Jean (1974) : Le cinéma expérimental. Paris : Seghers.

Motherwell, Robert (2 1981): The Dada Painters and Poets. An Anthology. Boston, Mass.: G.K. Hall.

Ottinger, Didier (dir.) (2008): Le futurisme à Paris. Une avant-garde explosive. Paris : Éditions du Centre Pompidou.

Poivert, Michel (2006): L’image au service de la révolution. Photographie, Surréalisme, Politique. Paris: Le Point du Jour Editeur.

Pozzi, Giovanni (1981): La parola dipinta. Milano: Adelphi edizioni.

Tomiche, Anne (2015): La naissance des avant-gardes occidentales 1909-1922. Paris : Armand Colin.

Wall-Romana, Christophe (2013) : Cinepoetry. Imaginary Cinemas in French Poetry. New York: Fordham University Press.

_________________

Clüver, Claus (2007): . In: Arvidson, Jens / Mikael Askander / Jørgen Bruhn / Heidrun Führer. Changing borders. Contemporary Positions in Intermediality. Lund: Intermedia Studies Press (pp. 19-37).



Online:

http://www.kultur.lu.se/media/utbildning/dokument/kurser/IMSB23/20141/changing_borders_dragen_dragen_.pdf

Schröter, Jens : Intermedialität.

Online: http://www.theorie-der-medien.de/text_detail.php?nr=12

Clüver, Claus (2000): “Concrete Poetry and the New Performance Arts: Intersemiotic, Intermedia[l], Intercultural”. In: Sponsler, Claire / Chen, Xiaomei (eds.): East of West. Cross-cultural Performance and the Staging of Difference, New York (p. 33–61).

Clüver, Claus: “Ekphrasis Reconsidered: On Verbal Representations of Non-Verbal Texts”. In: Lagerroth, Ulla-Britta, Lund, Hans, and Hedling, Erik (eds.): Interart Poetics. Essays on the Interrelations Between the Arts and Media. Amsterdam; Atlanta 1997 (p. 19–33).

“Interarts Studies. Concepts, Terms, Objectives,” 1997. Original English version unpublished. Portuguese: “Estudos interartes. Conceitos, termos, objetivos.” Trans. Samuel Titan Jr. and Claus Clüver. In: Literatura e Sociedade. Revista de teoria literária e literatura comparada (Universidade de São Paulo), No. 2, 1997 (p. 37–55).

Clüver, Claus (2001): “Inter textus / inter artes / inter media” in Schmitz-Emans, Monika, / Lindemann, Uwe (eds.): Komparatistik 2000/2001. Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft. Heidelberg 2001 (p. 14–50)



Wolf, Werner (1999): The Musicalization of Fiction: A Study in the Theory and History of Intermediality. IFAVW Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft 35. Amsterdam: Rodopi.

Wolf, Werner / Walter Bernhart (Hg.) (2006): Framing Borders in Literature and Other Media. Studies in Intermediality. Amsterdam: Rodopi.





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